Photography Society: Steel Wool Spinning



Tonight I joined the photography society for a late night photo shoot on the beach. A couple of members of the group decided to do some steel wool spinning in order to create some beautiful shots of the sparks against the dark, beach background.

During the photo shoot I had to do something I've never really done before - take the camera settings off auto. I've become quite comfortable with auto settings on a camera and have produced some fairly good shots in the past. However, this workshop quickly made me realize how little I know about the technical side of photography.

Although we were given a template of the optimum camera settings for this shoot, I found I only got around 2 decent shots (which aren't brilliant compared to other member's of the group).

For reference I set my camera up to around 100 ISO with an aperture of f8 and a shutter speed of around 10 seconds. I used a tripod to stabilise the camera too.  I found it quite difficult to manually focus the camera and above all, adapt settings quickly in order to capture shots in time.

Even though my images didn't turn out as well as I'd hope I really enjoy the effect of this kind of photography. Capturing motion this way creates a beautiful, abstract outcome and I would like to learn how to adapt the camera manually in order to do this kind of photo shoot again.

This photoshoot made me truly appreciate the level of skill and dedication that went into Mike Mezuel II's photoshoot of the blood moon. To be able to create such a breathtaking image in such an uncontrollable environment, is a sign of a true photographer.

The Blood Moon

Last night many people around the UK stayed up to see the rare "blood moon" lunar eclipse. Whilst most people were a bit underwhelmed and many struggled to get a good shot of the red moon, Mike Mezuel II, in Texas, captured this STUNNING image. 

In his own words "After spending 5 hours on a rooftop with an incredible view of Dallas, I was able to create this composite image showing the moons transition from full moon, to full lunar eclipse, and back. Each moon image was shot approximately 10 minutes apart to capture the entire transition". The scene was shot on a Nikon D810

I really admire the time and dedication that went into this photograph and the outcome is spectacular. A once in a lifetime image. 

Source

Style by Taylor Swift: Video Stills

Hannes Caspar Portraits

Daniel Sannwald x Harper's Bazaar China


  • Experimental 
  • German photographer
  • Dystopian futurism of Fritz Lang
  • Suite - combined polaroid, old canon and copy machine to explore different elements of the composition 
  • Taken from NEW FASHION PHOTOGRAPHY BY PRESTEL, PAUL SLOMAN

Nick Knight


Uses fine art to add to the photograph

Paco Peregrin


  • Spanish photographer Paco Peregrin
  • Explores avant garde, futurism,  unearthly beauty 
  • Clean lines and rich contrast 
  • Arcadian elegance 
  • Theatrical use of make up and contemporary fashion 
  • Restricted palette
  • Muslin cloth
  • Monstrous 
  • I enjoy his use of fabric to hide the face and add a secretive, menacing tone 

Richard Avedon Fashion Portraits



Rankin


  • Simple yet monumental 
  • Style osicilates between serious documentary, experimental portraiture and seductive fashion work
  • Reworks the body through pattern and colour 
  • Often works alongside extreme make up artists to produce something hauntingly creative and transforms the human body into a canvas
  • "Taking something beautiful and making it ugly" - amplified horror 

Irving Penn Self Portraits

  • I enjoy Penn's approach to self portraits and the way he uses experimental and abstract techniques to distort the image
  • Very different approach to his normal portraits 

Irving Penn Fashion Portraits




Scanography Portraits

D Rae Bass

Beauty Portraits by Tomaas

Junkfood Queen

Wengenn in Wonderland by Sioin Queenie Liao

First Session: Portraits

Original Image
On Monday we went through the unit schedule and were given our first few tasks. As an icebreaker we broke off into pairs and were asked to produce two portraits: one of ourselves and one of our partners.

I partnered up with Toni, who told me she wanted to explore the artistic side of photography and enjoyed abstract photos. With this in mind, I wanted to create a candid shot of her. From my conversations with her she came across as artistic and fairly shy. I thought a candid shot would be the best way to capture her personality.